Om Namo Bhagavate Vasudevaya
The twelve-syllable Vishnu mantra that opens the Bhagavata Purana.
Bhagavata Purana 1.1.1edition
Sanskrit · संस्कृत
No verified recitation yet. We publish audio only with a named reciter and a recorded licence, rather than files of unknown provenance.
Meaning
Salutation to the Lord Vasudeva.
This rendering is by a DharmSetu editor, not a quotation from a published translation. Compare with the public-domain translation.
A Hindi meaning has not been written for this mantra yet. Hindi is authored by a named editor rather than machine-translated, so it arrives more slowly.
How to recite
- Repetitions
- 12 · 108
- Mala
- tulsi
Pronunciation key — sounds commonly got wrong
- ट ठ ड ढ ण · ṭ ṭh ḍ ḍh ṇ
- Retroflex — the tongue curls back and touches the roof of the mouth. Distinct from the dental त थ द ध न, where the tongue touches the teeth.
- श ष स · ś ṣ s
- Three different sounds: ś as in “shy”, ṣ retroflex and further back, s plain. Collapsing them changes words.
- ः · ḥ (visarga)
- A soft outward breath echoing the preceding vowel — not a hard “ha”.
- ं · ṃ (anusvara)
- Nasalises the vowel; the closing sound follows the consonant that comes next.
- Long vs short vowels — a / ā, i / ī, u / ū
- Vowel length is meaningful in Sanskrit. Hold the macron vowels roughly twice as long.
- Aspirated consonants — kh, gh, ch, th, dh, ph, bh
- A distinct puff of breath. ph is an aspirated p, never an English “f”.
Context
Shadanga — the six limbs
The traditional analytic frame for a mantra. Blank limbs are simply not recorded for this text.
- devata
- Vasudeva (Vishnu)
Recited at / traditionally recited for
Classified as Pauranic — From the Puranas. Most widely recited deity mantras belong here. Basis for this classification.
Related mantras
Gayatri Mantra
The most widely recited Vedic verse, addressed to the light of the sun — Rigveda 3.62.10.
Mahamrityunjaya Mantra
The Tryambaka verse of the Rigveda, addressed to Rudra — a prayer for release, likening it to a ripe fruit loosening from its stem.
Asato Ma Sad Gamaya
Three movements — from the unreal to the real, from darkness to light, from death to what does not die. Brihadaranyaka Upanishad 1.3.28.