Stotra · स्तोत्रStotra

Kalabhairava Ashtakam — opening verse

The first of the eight verses to the lord of Kashi, each closing on the same line: I worship Kala Bhairava, master of the city of Kashi.

Kalabhairava Ashtakam verse 1edition

Sanskrit · संस्कृत

देवराजसेव्यमानपावनाङ्घ्रिपङ्कजं व्यालयज्ञसूत्रमिन्दुशेखरं कृपाकरम् । नारदादियोगिवृन्दवन्दितं दिगम्बरं काशिकापुराधिनाथकालभैरवं भजे ॥
devarājasevyamāna-pāvanāṅghri-paṅkajaṃ vyāla-yajñasūtram indu-śekharaṃ kṛpākaram nāradādi-yogi-vṛnda-vanditaṃ digambaraṃ kāśikāpurādhinātha-kālabhairavaṃ bhaje

Read in another script

No verified recitation yet. We publish audio only with a named reciter and a recorded licence, rather than files of unknown provenance.

Meaning

His pure lotus feet are served by the king of the gods; a serpent is his sacred thread and the moon his crest; he is a maker of compassion. Bowed to by Narada and the host of yogis, sky-clad — I worship Kala Bhairava, lord of the city of Kashi.

This rendering is by a DharmSetu editor, not a quotation from a published translation. Compare with the public-domain translation.

A Hindi meaning has not been written for this mantra yet. Hindi is authored by a named editor rather than machine-translated, so it arrives more slowly.

How to recite

Four long lines. Each is built from compounds, so find the joins before trying for speed: deva-rāja-sevyamāna, pāvana-aṅghri-paṅkajaṃ, vyāla-yajña-sūtram, indu-śekharaṃ. Aṅghri has a velar nasal followed by an aspirated gh. In kāśikāpurādhinātha the ś is palatal and the join is kāśikā-pura-adhi-nātha, 'the over-lord of the city of Kashi' — not 'purā', which would change the sense.
Repetitions
1 · 3
Time
brahma muhurta, sandhya
Pronunciation key — sounds commonly got wrong
ट ठ ड ढ ण · ṭ ṭh ḍ ḍh ṇ
Retroflex — the tongue curls back and touches the roof of the mouth. Distinct from the dental त थ द ध न, where the tongue touches the teeth.
श ष स · ś ṣ s
Three different sounds: ś as in “shy”, retroflex and further back, s plain. Collapsing them changes words.
ः · ḥ (visarga)
A soft outward breath echoing the preceding vowel — not a hard “ha”.
ं · ṃ (anusvara)
Nasalises the vowel; the closing sound follows the consonant that comes next.
Long vs short vowels — a / ā, i / ī, u / ū
Vowel length is meaningful in Sanskrit. Hold the macron vowels roughly twice as long.
Aspirated consonants — kh, gh, ch, th, dh, ph, bh
A distinct puff of breath. ph is an aspirated p, never an English “f”.

Word by word

देवराजसेव्यमानdevarājasevyamāna
being served by the king of the gods(pres. pass. part.)
पावनाङ्घ्रिपङ्कजम्pāvanāṅghripaṅkajam
whose lotus feet are purifying(acc. sg.)
व्यालयज्ञसूत्रम्vyālayajñasūtram
having a serpent for a sacred thread(acc. sg.)
इन्दुशेखरम्induśekharam
moon-crested(acc. sg.)MW1899-CDSL p.166
कृपाकरम्kṛpākaram
a maker of compassion(acc. sg.)MW1899-CDSL p.305
नारदादियोगिवृन्दवन्दितम्nāradādiyogivṛndavanditam
saluted by Narada and the company of yogis(acc. sg.)
दिगम्बरम्digambaram
sky-clad, naked(acc. sg.)MW1899-CDSL p.480
काशिकापुराधिनाथkāśikāpurādhinātha
lord of the city of Kashi
भजेbhaje
I worship(1st sg. pres. mid.)MW1899-CDSL p.743

Glosses are confirmed against a Sanskrit–English dictionary; the reference after each entry names the edition consulted.

Context

The best-known hymn to Bhairava, and the one a visitor to Varanasi is most likely to hear. All eight verses end on the same refrain, kāśikāpurādhinātha-kālabhairavaṃ bhaje, which is what fixes the deity to the city. The attribution is worth stating carefully. This hymn is popularly credited to Adi Shankara, said to have composed it at Kashi, and that is how it is almost always printed. The attribution is traditional rather than established. A closely related recension is transmitted inside the Shivarahasya, in a Shiva–Parvati dialogue spoken by Ishvara, where the same verses are numbered 53 onward — and that recension differs in wording here and there, and orders the verses differently. Both are in print. `source_text` therefore names the hymn rather than asserting an author. Two details in the imagery repay attention. The serpent as yajñopavīta puts a snake where a brahmin's sacred thread belongs, on the deity who beheaded the source of the Vedas. And digambara — 'sky-clad' — is stated plainly rather than softened, which the tradition has never been embarrassed about.

Shadanga — the six limbs

The traditional analytic frame for a mantra. Blank limbs are simply not recorded for this text.

devata
Kala Bhairava

Recited at / traditionally recited for

Classified as Stotra Devotional hymn literature — praise poetry rather than a Vedic formula. Basis for this classification.