Stotra · स्तोत्रStotra

Bhairava Stava of Abhinavagupta — opening verse

Abhinavagupta's hymn to Bhairava, from the Stotravali: I worship in my heart the lord who pervades everything moving and unmoving, by a mind made of you.

Bhairava Stava, Abhinavagupta (Stotravali) verse 1edition

Sanskrit · संस्कृत

व्याप्तचराचरभावविशेषं चिन्मयमेकमनन्तमनादिम् । भैरवनाथमनाथशरण्यं त्वन्मयचित्ततया हृदि वन्दे ॥
vyāptacarācarabhāvaviśeṣaṃ cinmayam ekam anantam anādim bhairavanātham anāthaśaraṇyaṃ tvanmayacittatayā hṛdi vande

Read in another script

No verified recitation yet. We publish audio only with a named reciter and a recorded licence, rather than files of unknown provenance.

Meaning

You who pervade every distinct thing, moving and unmoving; who are consciousness itself, one, without end and without beginning; Bhairava the lord, refuge of the refugeless — I worship you in my heart with a mind made of you.

This rendering is by a DharmSetu editor, not a quotation from a published translation. Compare with the public-domain translation.

A Hindi meaning has not been written for this mantra yet. Hindi is authored by a named editor rather than machine-translated, so it arrives more slowly.

How to recite

Two long lines with a clear caesura in each; the metre is a four-line eleven-syllable pattern printed here as two. Pause at the internal break rather than at the compound joins. Read anātha-śaraṇyaṃ as one idea — 'refuge of those without a protector' — and do not break tvanmaya-cittatayā, which is a single instrumental. The v of vyāpta is a light v, closer to English w than to a hard v.
Repetitions
1 · 3
Time
brahma muhurta
Pronunciation key — sounds commonly got wrong
ट ठ ड ढ ण · ṭ ṭh ḍ ḍh ṇ
Retroflex — the tongue curls back and touches the roof of the mouth. Distinct from the dental त थ द ध न, where the tongue touches the teeth.
श ष स · ś ṣ s
Three different sounds: ś as in “shy”, retroflex and further back, s plain. Collapsing them changes words.
ः · ḥ (visarga)
A soft outward breath echoing the preceding vowel — not a hard “ha”.
ं · ṃ (anusvara)
Nasalises the vowel; the closing sound follows the consonant that comes next.
Long vs short vowels — a / ā, i / ī, u / ū
Vowel length is meaningful in Sanskrit. Hold the macron vowels roughly twice as long.
Aspirated consonants — kh, gh, ch, th, dh, ph, bh
A distinct puff of breath. ph is an aspirated p, never an English “f”.

Word by word

व्याप्तvyāpta
pervading, having pervaded(ppp.)MW1899-CDSL p.1037
चराचरcarācara
the moving and the unmovingMW1899-CDSL p.389
भावविशेषम्bhāvaviśeṣam
each particular existent thing(acc. sg.)
चिन्मयम्cinmayam
made of consciousness(acc. sg.)MW1899-CDSL p.397
एकम्ekam
one(acc. sg.)MW1899-CDSL p.227
अनन्तम्anantam
endless(acc. sg.)MW1899-CDSL p.25
अनादिम्anādim
beginningless(acc. sg.)MW1899-CDSL p.28
भैरवनाथम्bhairavanātham
Bhairava the lord(acc. sg.)
अनाथशरण्यम्anāthaśaraṇyam
refuge of the refugeless(acc. sg.)
त्वन्मयचित्ततयाtvanmayacittatayā
by having a mind made of you(inst. sg.)
हृदिhṛdi
in the heart(loc. sg.)MW1899-CDSL p.1302
वन्देvande
I worship, I salute(1st sg. pres. mid.)MW1899-CDSL p.919

Glosses are confirmed against a Sanskrit–English dictionary; the reference after each entry names the edition consulted.

Context

Abhinavagupta (c. 950–1016) is the great systematiser of Trika, the Kashmir Shaiva school, and the author of the Tantraloka. This short stava, transmitted in his Stotravali, is where his philosophy is most compactly devotional. The first line is a Trika thesis in four words: Bhairava pervades not 'everything' in the abstract but bhāva-viśeṣa, each particular thing in its distinctness — and is cinmaya, made of consciousness, one, endless, beginningless. Nothing here is a fierce guardian at a shrine door. This is the Absolute. The last phrase is the one worth carrying away. Tvanmaya-cittatayā — 'by way of a mind made of you'. The worship is not offered to Bhairava from outside; the instrument of worship is itself already him. Later verses of the same hymn turn to address Death directly and tell him to put away his terrible look, on the stated ground that the speaker is made of Bhairava's own power and therefore does not fear at all.

Shadanga — the six limbs

The traditional analytic frame for a mantra. Blank limbs are simply not recorded for this text.

devata
Bhairava

Recited at / traditionally recited for

Classified as Stotra Devotional hymn literature — praise poetry rather than a Vedic formula. Basis for this classification.