Pauranic · पौराणिकMantra

Kayena Vacha Manasendriyair Va

Whatever one does with body, speech, mind or senses — offer all of it to Narayana. The verse recited to close a puja.

Bhagavata Purana 11.2.36edition

Sanskrit · संस्कृत

कायेन वाचा मनसेन्द्रियैर्वा बुद्ध्यात्मना वानुसृतस्वभावात् । करोति यद्यत्सकलं परस्मै नारायणायेति समर्पयेत्तत् ॥
kāyena vācā manasendriyair vā buddhyātmanā vānusṛtasvabhāvāt karoti yad yat sakalaṃ parasmai nārāyaṇāyeti samarpayet tat

Read in another script

No verified recitation yet. We publish audio only with a named reciter and a recorded licence, rather than files of unknown provenance.

Meaning

Whatever one does with the body, with speech, with the mind or the senses, with the intellect or the self, or simply by force of habit — let all of it be offered to the Supreme, saying: this is for Narayana.

This rendering is by a DharmSetu editor, not a quotation from a published translation. Compare with the public-domain translation.

A Hindi meaning has not been written for this mantra yet. Hindi is authored by a named editor rather than machine-translated, so it arrives more slowly.

How to recite

Four lines of eleven syllables each, in the Upajati metre — an eleven-syllable line that mixes the Indravajra and Upendravajra patterns. Pause at the end of each line. Manasendriyair is manasā + indriyaiḥ elided; buddhyātmanā is buddhyā + ātmanā. Keep each as one word.
Repetitions
1 · 3
Time
sandhya
Pronunciation key — sounds commonly got wrong
ट ठ ड ढ ण · ṭ ṭh ḍ ḍh ṇ
Retroflex — the tongue curls back and touches the roof of the mouth. Distinct from the dental त थ द ध न, where the tongue touches the teeth.
श ष स · ś ṣ s
Three different sounds: ś as in “shy”, retroflex and further back, s plain. Collapsing them changes words.
ः · ḥ (visarga)
A soft outward breath echoing the preceding vowel — not a hard “ha”.
ं · ṃ (anusvara)
Nasalises the vowel; the closing sound follows the consonant that comes next.
Long vs short vowels — a / ā, i / ī, u / ū
Vowel length is meaningful in Sanskrit. Hold the macron vowels roughly twice as long.
Aspirated consonants — kh, gh, ch, th, dh, ph, bh
A distinct puff of breath. ph is an aspirated p, never an English “f”.

Word by word

कायेनkāyena
with the body(inst. sg.)MW1899-CDSL p.274
वाचाvācā
with speech(inst. sg.)MW1899-CDSL p.936
मनसाmanasā
with the mind(inst. sg.)MW1899-CDSL p.783
इन्द्रियैःindriyaiḥ
with the senses(inst. pl.)MW1899-CDSL p.167
बुद्ध्याbuddhyā
with the intellect(inst. sg.)MW1899-CDSL p.733
आत्मनाātmanā
with the self(inst. sg.)MW1899-CDSL p.135
अनुसृतस्वभावात्anusṛtasvabhāvāt
out of one's own nature, by habit(abl. sg.)
करोतिkaroti
does, performs(3rd sg. pres.)MW1899-CDSL p.300
यद्यत् सकलम्yad yat sakalam
whatever it may be, all of it
परस्मैparasmai
to the Supreme(dat. sg.)MW1899-CDSL p.586
नारायणाय इतिnārāyaṇāya iti
saying 'for Narayana'
समर्पयेत्samarpayet
let one offer, let one hand over(3rd sg. optative causative)

Glosses are confirmed against a Sanskrit–English dictionary; the reference after each entry names the edition consulted.

Context

This is the samarpaṇa verse — the one recited at the end of a puja, when the whole of what has been done is handed over. It is spoken in the Bhagavata by one of the nine Yogendras answering King Nimi on how a devotee should live. The list is deliberately exhaustive and ends on an odd note: anusṛta-svabhāvāt, "following one's own nature", meaning the things done without deciding to do them. Even those go into the offering. That clause is what makes the verse a closing rather than a summary. The last line supplies the words to say — nārāyaṇāya iti, "for Narayana" — which is why the verse works as liturgy and not only as instruction.

Shadanga — the six limbs

The traditional analytic frame for a mantra. Blank limbs are simply not recorded for this text.

chhanda
Upajati
devata
Narayana

Recited at / traditionally recited for

Classified as Pauranic From the Puranas. Most widely recited deity mantras belong here. Basis for this classification.

Kayena Vacha Manasendriyair Va · DharmSetu